Free, for educators

The Material
Cards

Seven materials, and how we introduce each one to three to six year olds: as a character, a story or a little action they can copy.

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The materials laid out on a studio table

Read this first

Every tool gets introduced as a character

We do not hand children a list of rules. The tool becomes a ballerina, a dinosaur, an alligator or a fish, and children copy the actions. The way you hold a brush becomes a story they remember.

A child painting colourful marks with a brush, beside a watercolour palette and a jar of water

Card 01

The brush

A ballerina, or a dinosaur

How we introduce it

Introduce the brush as a ballerina who needs to stand on her tippy toes, never on her bottom. Or introduce it as a dinosaur who needs a drink of water.

Say thisOur ballerina stands on her tippy toes, never on her bottom.Our dinosaur needs a drink of water.For watercolours, we swivel our ballerina.We tiptoe in the paint, and then we rinse.
A child’s hands cutting teal paper with scissors

Card 02

Scissors

Alligator hands

How we introduce it

Children make their alligator hands and go chomp chomp.

Say thisMake your alligator hands.Chomp, chomp, chomp.

Card 03

The glue stick

The glue stick has a little hat

How we introduce it

Try using blue glue so the children can see where it goes. Talk about the glue stick having a little hat. When the hat comes off, we wind it up just a little bit, not too much.

Say thisThe glue stick has a little hat.We wind it up just a little bit.Dot, dot, dot. We don’t need a lot.Make sure you put his hat back on, or he gets cold!
A child gluing cardboard with a brush from a pot of PVA glue

Card 04

PVA glue

Drippy, droopy glue

How we introduce it

It is drippy glue. The brush lives in the glue pot, and we do not need water for this one. We choose with our eyes what we want to put the glue on.

Say thisIt is drippy, droopy glue.The brush lives in the glue pot. We do not need water for this one.Choose with your eyes: where do you want the glue?Dot, dot, dot, I don’t need a lot.Brush, brush, brush, up and down.
A child drawing with oil pastels from a tray

Card 05

Oil pastels

Little cuties that make your hands dirty

How we introduce it

They make your hands a little bit dirty, and that is okay. That is the beauty of it. They want pressure, and you can use them two ways.

Say thisThey make our hands a little bit dirty, and that’s okay. That’s the beauty of it.Pastels want pressure.Use them on their tippy toes, or on their bellies.
A child’s hands pressing buttons and pasta into green playdough

Card 06

Playdough

Squishy, and you do not need to say much

How we introduce it

Playdough is the one where you do not really need to say much. Put it between your hands and go alligator, alligator, up and down. Then turn your hands and go fish, fish, fish, and it swims to make different shapes.

Say thisAlligator, alligator, up and down.Now turn your hands: fish, fish, fish.It swims to make different shapes.
A child painting from pots of red, yellow and blue paint, one brush in each, beside a mixing plate

Card 07

The paint pot

Keeping our paint safe

How we introduce it

The paint pot is there to keep our paint safe. Talk about using just one brush per colour, and how we wipe our brush. Then turn it into a story.

Say thisThe paint pot keeps our paint safe.One brush for each colour.We wipe our brush.

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If this was useful

The cards are the tools. The Method is the teaching.

The Material Cards show you how we introduce a tool. The Mini Ivy Method tells you what to teach with it: the ten week skill sequence, the forty or so sentences that do the actual teaching, what to say when a child says I can’t or rips it up, and how to plan a term from scratch. It is the programme we run five days a week, written down.

See The Mini Ivy Method
Valando Demetriou at the Mini Ivy studio in Torrensville
Valando Demetriou
Co-Founder, Mini Ivy Art Studio. I studied teaching at Flinders University and spent about eight years teaching reception to year two before starting Mini Ivy. We run structured creative development sessions for three to six year olds, five days a week, at our studio in Torrensville, Adelaide. Everything here is what we actually do on those days, not theory.